The 19th Century Novel Podcast

EPISODE 43: Futabatei Shimei, "Ukigumo" ["Drifting Clouds"] (1889), Part Three

Chapters 7-8: 0:00—Sunday, November 2, 1884. 5:10—Artificial & distorted forms. 7:25—Japanese dressing. 11:50—Scraping & bowing & spewing. 15:18—Only one idol. 17:39—Baffled Bunzō 24:04—“He’s terribly bold.” 27:51—Interlude.  

Chapters 9-12: 28:32— Bunzō’s worst fears. 32:07—Free indirect discourse. 40:14— Bunzō meets Yamaguchi. 42:28—Bozo Bunzō. 47:12—An abyss of pain. 51:19—Interlude.  

Chapters 13-19: 52:10—What’s wrong with Bunzō? 1:00:15—Borderline Bunzō. 1:02:30—Bunzō & Futabatei. 1:04:01—Russian literature & politics. 1:06:35—Oblomov & Underground Man. 1:08:36—Neurosis & psychosis. 1:10:11—Not a nice girl. 1:11:31—A new perspective. 1:18:38—Bunzō observes. 1:23:37—The ending. 1:32:07—The end. 1:33:38—Closing.

Text: Futabatei Shimei. Ukigumo. Translated by Marleigh Grayer Ryan. Japan’s First Modern Novel, “Ukigumo” of Futabatei Shimei. 1965. Center for Japanese Studies, Univ. of Michigan, 1990.

Interlude: Yūgure,” performed by Ensemble Hijiri-Kaï , Urban Music of the Edo Period , 2005, Ocora Records, Paris, Internet Archive.

Illustration: Society of Friends of the Cernuschi Museum, Paris.

Click here for transcript Contact: jimjneilson@gmail.com

EPISODE 42: Futabatei Shimei, "Ukigumo" ["Drifting Clouds"] (1889), Part Two

Chapters 2-3: 56:20— Bunzō’s background. 6:32—Office work. 8:22—Point of view. 9:40— Bunzō & Osei. 13:03—The question of point-of-view. 14:02—Breeding worms. 16:15—The moment of truth. 21:49—New romance. 25:30—A ticklish situation. 27:19—What’s going on. 29:24—Marriage plots. 31:13—A new development. 31:49—Interlude.

Chapters 4-6: 32:25—The elements of romance. 34:37—What a mess. 36:10—All mixed up. 39:07—Pure Osei. 42:01—Gaudy geisha. 46:29—Bunzō dreams. 50:55— Bunzō confesses, Omasa tortures. 56:07—Osei vs. Omasa. 58:22—Successful Noboru. 1:00:38—The bureaucracy. 1:05:34—Office literature. 1:07:41—Mom & mums. 1:10:30—Closing.

Text: Futabatei Shimei. Ukigumo. Translated by Marleigh Grayer Ryan. Japan’s First Modern Novel, “Ukigumo” of Futabatei Shimei. 1965. Center for Japanese Studies, Univ. of Michigan, 1990.

Interlude: Yūgure,” performed by Ensemble Hijiri-Kaï , Urban Music of the Edo Period , 2005, Ocora Records, Paris, Internet Archive.

Illustration: Society of Friends of the Cernuschi Museum, Paris.

Click here for transcript Contact: jimjneilson@gmail.com

EPISODE 41: Futabatei Shimei, "Ukigumo" ["Drifting Clouds"] (1889)

0:00-Three openings. Chapter 1: 16:06—Fine gentlemen. 19:50—Men with beards. 26:24—Men in coats and kimonos. 30:30—Bunzō & Noboru. 32:40—The narrator. 33:37—Salary earners. 35:39—The third house from the corner. 35:52—Interlude.

Chapter 1 continued: 36:50—The Meiji Restoration. 38:01—Translated novels. 43:40—Tsubouchi Shōyō & Futabatei Shimei. 51:50—Crossing the threshold. 55:54—Closing.

Text: Futabatei Shimei. Ukigumo. Translated by Marleigh Grayer Ryan. Japan’s First Modern Novel, “Ukigumo” of Futabatei Shimei. 1965. Center for Japanese Studies, Univ. of Michigan, 1990.

Interlude: Yūgure,” performed by Ensemble Hijiri-Kaï , Urban Music of the Edo Period , 2005, Ocora Records, Paris, Internet Archive.

Illustration: Society of Friends of the Cernuschi Museum, Paris.

Click here for transcript Contact: jimjneilson@gmail.com

 

EPISODE 40: Natsume Sōseki, "The Heredity of Taste" (1906), Part Two

Two cont’d: 0:00—A grave meeting. 6:06—Under the gingko tree. 10:26—The knocking at the gate. 15:46—The woman escapes. 16:34—Interlude.

Three. 17:43— Researcher & rogue. 23:15— Kō-San’s diary. 26:56—Hereditary transmission. 33:37—Japanese relations. 35:2608—Conclusion. 38:13—Dickensian childhood. 40:10—Dysfunctional marriage. 42:25—Bad karma. 44:34—Sōseki on the Russo-Japanese War. 55:05—Tasteless criticism. 1:04:14—The Japanese Spirit. 1:09:39—Closing.

Text: Natsume Sōseki, The Heredity of Taste. Translated by Sammy I. Tsunematsu. Boston: Tuttle, 2004.

Interlude: “Tasogare” (“Twilight”), performed by Soy Nakamura, Japanese Music for Koto and Shakuhachi, Toshiba Records, Internet Archive.

Illustration: Natsume Sōseki (1910), Wikimedia.

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EPISODE 39: Natsume Sōseki, "The Heredity of Taste" (1906), Part One

One. 0:00—Apology. 1:57— Sōseki’s reputation. 4:26—Writing The Heredity of Taste. 6:01—The dogs of war. 10:07: Banzai!  14:26—General Nogi. 17:17—The narrator. 18:40—Digressions. 22:27—Aaagh! 24:25—A true war story. 26:26—A question of tone. 30:00—Vitality & neurasthenia. 33:37—The best of Japan. 36:16—Interlude.

Two: 38:37—A lyrical passage. 41:09—Port Arthur. 43:01—Human bullets. 44:04—November 26, 1905. 47:15—A distant observer. 48:40—Dogs, ants, spiders, snakes, snails, & tadpoles. 50:13—Kō-San’s rise & fall.  52:23—The call of the war. 57:09—In the ditch. 1:02:37—The final tally. 1:04:06—Closing.

Text: Natsume Sōseki, The Heredity of Taste. Translated by Sammy I. Tsunematsu. Boston: Tuttle, 2004.

Interlude: “Battoutai,”Japanese Old Gunka (Military March) Collection, Internet Archive.

Illustration: Natsume Sōseki (1912), "Portraits of Modern Japanese Historical Figures," National Diet Library, Japan.

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EPISODE 38: Naoe Kinoshita, "Pillar of Fire" (1904), Part Three

Chapters 17-20: 0:00—Girls’ school. 6:37—Byron’s character. 9:57—Shinoda’s sermon. 12:17—Workers’ meeting. 19:26—Interlude.

Chapters 21-23: 20:21—Umeko eyes Matsushima. 28:00—General Aritomo Yamagata. 30:41—Shutting down Shinoda. 31:27—Why war? 37:10—Imperialism.  44:09—Interlude.

Chapters 24-30: 45:05—Shinoda in Chichibu. 52:18—Comrade Azuma. 55:15—Society strikes back. 1:03:18—Political posturing. 1:06:30—Closing.

Text: Kinoshita, Naoe. Pillar of Fire. Translated by Kenneth Strong. London: George Allen & Unwin. 1972.

Interlude: Ensemble Nipponia, "Edo No Uta", performed by Minoru Miki and Ayako Handa, Soloists of the Ensemble Nipponia (1976, Nonesuch Records, H-72072, Internet Archive).

Illustration: Naoe Kinoshita, 1937 (Wikipedia).

Click here for transcript Contact: jimjneilson@gmail.com

Thanks to Professor David Ambaras and the students of HIS 573: Japan's Empire in Asia, 1868-1945, NCSU, Fall 2024.

EPISODE 37: Naoe Kinoshita, "Pillar of Fire" (1904), Part Two

Chapters 8-10: 0:00—Ohora & Matsushima at the geisha house. 4:35—Kanekichi. 6:46—Girls & geishas. 12:37—Koyone & Kanekichi. 14:44—Hanakichi & O-Roku & the monster. 18:15—Interlude.

Chapters 11-16: 19:03—Licking boots. 20:40—Trampling on love. 22:03—Such slobbering. 23:08—Celebrating geishas. 25:20—Christmas at Shinoda’s. 27:05—Climbing aboard. 28:42—Prince Itō. 32:48—Itō & Yamaki & Matsushima. 38:50—Closing.

Text: Kinoshita, Naoe. Pillar of Fire. Translated by Kenneth Strong. London: George Allen & Unwin. 1972.

Interlude: Yatsuhashi Kengyo, "Midare," performed by Reiko Kimura, January 15, 1998, National Museum of Asian Art, Washington, D.C.

Illustration: Naoe Kinoshita, 1937 (Wikipedia).

Click here for transcript Contact: jimjneilson@gmail.com

Thanks to Professor David Ambaras and the students of HIS 573: Japan's Empire in Asia, 1868-1945, NCSU, Fall 2024.

EPISODE 36: Naoe Kinoshita, "Pillar of Fire" (1904), Part One

Chapters 1-3: 0:00—January 1904. 2:35—Meiji Japan. 7:49—Marrying Umeko. 9:56: Gozo Yamaki & the Reverend.  13:52—Injury & injustice. 20:20—Women & child labor. 22:27—Waking society. 24:46—Shinoda. 27:55—Prominent Protestants. 30:30—Yamaki & Ohora. 31:44—Interlude.

Chapters 4-6: 32:08—The zaibatsu. 36:11—Shipbuilding. 38:28—O-Kame & Umeko.  40:17—Church garden party. 43:35—Shinoda & Umeko. 45:25—Politics & manners. 46:35—Socialism & feminism. 50:18—Interlude.

Chapter 7: 50:44—Rickshaw knowledge. 52:49—People’s Weekly/Heimin Shimbun. 55:15—Japanese socialism. 56:32—A Russian comrade. 1:01:43—Our emperor.  1:04:37—Kotoku Shusui. 1:09:25—The power of the pen. 1:12:06—The greater learning for women. 1:12: 56—Closing.

Text: Kinoshita, Naoe. Pillar of Fire. Translated by Kenneth Strong. London: George Allen & Unwin. 1972.

Interlude: "Godan-Kinuta" (Music of Weaving), The Koto Music of Japan (1965, Nonesuch HS-72005), Internet Archive.

Illustration: Naoe Kinoshita, 1937 (Wikipedia).

Click here for transcript Contact: jimjneilson@gmail.com

Thanks to Professor David Ambaras and the students of HIS 573: Japan's Empire in Asia, 1868-1945, NCSU, Fall 2024.

EPISODE 35: Honoré de Balzac, "Sarrasine" (1830) / Roland Barthes, S/Z (1970)

0:00—The Faubourg Saint-Germain.  3:18—Sitting between opposites. 4:37—Salon culture. 9:44—Meet the Lantys. 13:01—Gothic conventions. 14:18—The gentleman in black. 15:45—Comte de Saint-Germain. 18:35—Count Alessandro di Cagliostro. 20:07—Quackeries. 25:00—The old man & Madame Rochefide. 28:56—Adonis on a lion skin. 30:34—Interlude.

30:46—Sarrasine’s boyhood. 32:24—Edmé Bouchardon. 33:28—Prix de Rome. 34:52—Reverance for Rome. 38:00—Jommelli & Zambinella. 41:29—Sketchy behavior. 42:15—Private happiness. 43:16—Lounging Zambinella. 47:23—Sexual assault.  48:20—Cardinal Cicognara. 49:40—One word. 51:35—The castrati tradition. 57:01—You monster. 1:00:05—Adonis & Endymion. 1:01:36—Fortunate singers.  1:03:55—Another possibility. 1:05:45—Fantastic vs. Realistic. 1:14:004—Interlude.

1:14:16—S/Z. 1:19:23—Antitheses. 1:20:40—A hole in the discourse. 1:22:35—Hastening & retarding. 1:23:58—Endymion/Adonis. 1:25:40—Aphanasis. 1:26:55—Historical characters. 1:27:47—Lubrication. 1:31:58—Madonna with raised eyes. 1:33:16—Kinky-haired scamp. 1:35:47—Fortunate castrati. 1:36:37—A sordid origin.

Texts:

Balzac, Honoré. “Sarassine.” The Girl with the Golden Eyes, and Other Stories. Translated by Peter Collier. Oxford Univ. Press, 2012, pp. 3-37.

Barthes, Roland. S/Z. Translated by Richard Miller. Hill and Wang, 1974.

Interludes: Niccolo Jommelli, Diodone Abbandonata (1747), performed by Teatro Filamonico di Verona Italy, March, 2021, www.operaonvideo.com.

Illustration: Honoré de Balzac, 1842, and Roland Barthes, 1979 (Wikipedia)

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EPISODE 34: P.A. Daum, "Ups and Downs of Life in the Indies" (1890), Part Two

Chapters 7-12: 0:00—The beginning of a desire. 7:30—An escape route. 8:13—P.A. Daum. 11:22—Coffee with Aunt Clara. 14:13—Very unpleasant. 16:16—Interlude.

Chapters 13-21: 17:30—Her soiled roots. 20:31—Precocious degradation. 23:52—Disinformation & denial. 27:00—Hereditary or existential despair. 31:49—Depression. 32:56—Sick Europeans. 34:42—Four or five good years. 38:29—Climate change. 43:12—The dreary normal. 45:57—His spirit is sick. 46:46—In a Chinese shop. 48:18—Suicide prevention. 50:15—The phantasmagoria. 52:05—Colonial life goes on. 54:08—Abrupt ending. 55:47—A more satisfying closing.

Text: P.A. Daum, Ups and Downs of Life in the Indies. Translated by Elsje Quinn Sturtevant and Donald W. Sturtevant. Univ. of Massachusetts Press, 1987.

Interludes: Erik Satie, Gnossienne No. 4 (1891), performed by Takuma Sugawara, 2024.

Illustration: Huygens Instituut.

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EPISODE 33: P.A. Daum, "Ups and Downs of Life in the Indies" (1890), Part One

Chapters 1-3: 0:00—Multatuli, Couperus & Daum. 2:40—Country & city. 3:45—Blowing the lid off. 6:17—Corruption. 7:15—The overseer Jozef. 9:55—Night sounds & savage voices. 13:32—The colonialist’s nightmare. 15:50—The lid in place. 16:30—Government overreaction. 20:09—Taking the bait. 23:05—Vague, faceless figures. 26:21—Interlude.

Chapters 4-5: 26:57—What an awful man. 30:01—Little Lena. 33:40—The heart of the matter. 37:06—Corruption. 39:54—BHP Billiton. 42:02—A successful pudding. 45:06—Interlude.

Chapters 5-6: 45:35—An emotional vortex. 53:30—Eddy & Freddy.  56:10—Get the hell out. 58:15—The degenerated branch. 1:02:32—The Uhlstras. 1:03:33—Seeing Twissels.

Text: P.A. Daum, Ups and Downs of Life in the Indies. Translated by Elsje Quinn Sturtevant and Donald W. Sturtevant. Univ. of Massachusetts Press, 1987.

Interludes: Erik Satie, Gnossienne No. 6 (1897), performed by Andreas Pfaul.

Illustration: DBNL: Digitale Bibliotheek voor de Nederlandse Letteren.

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EPISODE 32: William Morris, "News from Nowhere" (1890), Part Two

Chapters 9-14: 0:00—Lunatic affairs.  2:42—Jane (Burden) Morris. 8:40—The position of women. 10:07—Education. 16:21—Political science. 19:27—Violence.  23:48—Governance. 25:05—Labor. 26:51—Interlude.

Chapters 15-22: 27:54—Marx & More & Bellamy. 34:59—Everything was sacrificed. 36:52—British imperialism. 39:09—How the change came. 44:27—The General Strike, 1926. 46:26—Britain, 1952. 48:52—The Great Smog. 50:13—British citizens. 53:17—Literary criticism. 59:58—Interlude.

Chapters 23-32: 1:01:01—Murder & morbid brooding. 1:03:31—Not an age of inventions. 1:06:46—Leaving nowhere behind. 1:11:16—Cottagecore. 1:12:40—Shiny, happy people. 1:16:23—The Techno-Optimist Manifesto. 1:20:19—A discovery machine. 1:21:33—Enemies list. 1:22:42—Paths to utopia. 1:27:00—Closing.

Text: William Morris, News from Nowhere. 1890. Oxford Univ. Press, 2003.

Interludes: Edward Elgar, Serenade for Strings in E Minor, Op.20 (1892), performed by A Far Cry at the Isabella Stewart Gardner Museum, Boston.

Illustration: William Morris, photograph by Frederick Hollyer, 1884, Victoria & Albert Museum.

Click here for transcript Contact: jimjneilson@gmail.com

Thanks to Professor Steven Vincent and the students of History 522: European Intellectual History, NCSU Fall 2023.

EPISODE 31: William Morris, "News from Nowhere" (1890), Part One

Chapters 1-3: 0:00—Cranks & fire-eaters. 5:54—Nowhere man. 7:53—Morris the craftsman & owner & educator. 12:01—The Great Stink. 14:59—Bridging the past. 16:27—Colney Hatch. 20:08—Housing. 21:37—Upholstered women. 23:58—The Hammersmith Socialists.  26:06—Happy expressions. 27:20—Interlude.

Chapters 4-8: 28:04—Poor country people. 32:54—Good work. 38:31—Bookkeeping. 39:34—Institutions. 41:19—The Houses of Parliament. 45:21—Gladstone & the Liberals. 49:48—Bloody Sunday. 55:22—On the verge. 59:30—Closing.

Text: William Morris, News from Nowhere. 1890. Oxford Univ. Press, 2003.

Interlude: Gustave Holst, "In the Bleak Midwinter" (1905), performed by Steve's Bedroom Band (string quartet), IMSLP.

Illustration: William Morris (detail), photograph by Frederick Hollyer (c. 1890), Wikimedia.

Click here for transcript Contact: jimjneilson@gmail.com

Thanks to Professor Steven Vincent and the students of History 522: European Intellectual History, NCSU Fall 2023.

EPISODE 30: Louis Couperis, "The Hidden Force" (1900), Part Three

Chapters 18-24: 0:00—A man of duty and principle. 9:24—A dark, swirling tide. 11:11—Force of words. 13:40—The charity ball. 15:27—A frenzied downpour. 20:33—Strange things. 23:15—Naturalism. 24:54—Eva’s funk. 26:20—Forced to believe. 28:46—The climate of Java. 30:32—Interlude.

Chapters 25-26: 30:47—Impression: sunrise. 33:00—Setting & theme & style. 34:08—Pontianaks. 37:08—Moans & cries & sobs. 38:52—White and trembling. 40:25—Leonie in the bath. 43:16—The hidden force. 44:27—Filthy vermillion. 47:00—Scenes like this. 49:54—Betel juice. 53:02—Other forces. 54:51—Other monsters. 56:00—Interlude.

Chapters 27-32: 58:16—Strange happenings continue. 59:18—Leonie & Addy. 1:01:48—Benevolent & hostile forces. 1:05:45—East vs West. 1:07:23—Leonie & Addy. 1:09:25—Addy & Doddy. 1:10:21—Leaving Lubawangi. 1:15:09—Flying foxes. 1:16:37—Eva & Van Oudijck. 1:17:59—That strange, unnatural business. 1:21:31—Interlude.

Chapter 32 continued: 1:21:49—Mysticism & Islam. 1:24:24—Stoning. 1:26:06—Islam & the hidden force. 1:28:29—A hollow triumph. 1:30:48—The virgin & the dynamo. 1:33:30—The immense natural world. 1:35:24: A heretofore hidden force. 1:36:02—Endangered Indonesia. 1:41:36—Denying mystery. 1:43:12—Closing.

Text: Louis Couperus, The Hidden Force. Translated by Alexander Texiera de Mattos; revised and edited by E.M. Beekman. Univ. of Massachusetts Press, 1985. 

Interludes: Arnold Schoenberg, “Verlarte Nacht for String Sextet, Op. 4” (1899), performed by A Far Cry Chamber Orchestra, Isabella Stewart Gardner Museum. 

Sound effects: Pixabay.

Illustration: Louis Couperus as King Assuérus (detail), Java, 1899 (Wikipedia).

Click here for transcript Contact: jimjneilson@gmail.com

EPISODE 29: Louis Couperus, "The Hidden Force" (1900), Part Two

Chapters 11-13: 0:00—Family history. 5:23—Racial diversity. 6:36—Addy de Luce. 9:43— Léonie’s desires. 12:41—A feverish depravity. 14: 27—Perversely admirable. 16:30— Couperus & Léonie & the fin de siècle. 20:38—Addy & Doddy. 21:18—Addy & Léonie. 23:51—Interlude.

Chapters 14-16: 24:06—Léonie doesn’t object. 25:33—Addy & Theo. 27:26—Sun worship. 30:05—Theo & si-Oudijck. 33:24—Otto Van Oudijck. 35:27—Housekeeping. 38:08—Residents. 39:19—Life under life. 40:54—The language of the unconscious. 43:20—Volcanism. 46:25—Male blindness. 48:12—Interlude.

Chapter 17: 48:07—Bowing submissively. 51:44—A world created. 53:12—The hidden force. 54:40—Resident & regent. 55:59—Secret language, metaphor & mystery. 1:00:17—Closing.

Text: Louis Couperus, The Hidden Force. Translated by Alexander Texiera de Mattos; revised and edited by E.M. Beekman. Univ. of Massachusetts Press, 1985.

Interludes: Richard Strauss, Salome (1905), performed by the Orchestra of the Hamburg State Opera, Karl Böhm conductor, 1971, Deutsche Grammophon recording, Internet Archive.

Illustration: Louis Couperus in Java, 1899 (detail), Der Groene Amsterdamer

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EPISODE 28: Louis Couperus, "The Hidden Force" (1990), Part One

Chapters 1-4: 0:00—Dutch rule. 6:08—Narrative structure and theme. 7:50—Dusk in Labuwangi. 17:25—Couperus & Conrad. 18:46—Imperial twilight. 21:16—Doddy, Theo & Otto Van Oudijck.  22:36—The creamy Leonie. 26:40—The lovely Léonie. 28:12—The dreamy Léonie. 30:18—Silent, correct depravity. 33:21—Terror & taunting. 35:35—Interlude.

Chapters 5-6: 36:30—Van Oudijck’s delight & regret. 40:20—Behind the velvety banyans. 41:40—Profound dissonance. 43:33—Chinatown. 50:00—The hidden force. 51:18—Interlude

Chapters 7-8: 52:08—Eva’s Orient.  54:11—Confronting Sunario. 56:00—European Eva. 58:15—Racial identities. 1:03:55—Dutch exhibitionism. 1:13:53—Bewitched Debussy.  1:15:33—Balzac’s Java. 1:19:54—Interlude.

Chapters 9-10: 1:20:44—The problem with the regent. 1:25:25: Something new & something menacing. 1:27:29—Table turning. 1:30:04—The truth of spiritualism.  1:34:19—Table talk. 1:36:32—An exhausted colony. 1:39:35—Melancholic Eva. 1:40:42—Closing.

Text: Louis Couperus, The Hidden Force. Translated by Alexander Texeira de Mattos; revised and edited by E.M. Beekman. Univ. of Massachusetts Press, 1985.

Interludes: Claude Debussy, Estampes, “Pagodes” (1903), Audiartist.com / soundcloud.com.

Additional music: Javanese gamelan, performed by the Yogyakarta Gamelan Ensemble, National Museum of Asian Art, Washington, D.C., November 1, 2013.

Sound effects: Pixabay.

Illustration: Portrait of Louis Couperus, by H.J. Haverman, 1897, Wikipedia.

Click here for transcript Contact: jimjneilson@gmail.com

EPISODE 27: Multatuli, "Max Havelaar" (1860), Part Three

Chapters 16-17: 0:00—Back in Lebak. 3:41—Drystubble objects, punishes & reasons. 12:52—Lazy, sick & pedantic. 13:50—Tone & style. 15:48—The tale of Saijah & Adinda. 25:10—The larger picture. 27:10—What should a writer do? 30:56—Art & politics. 36:18—End notes. 39:56—Interlude.

Chapters 18-20: 40:32—Max & the Adipati. 44:07—Drystubble’s pleasant outing. 51:43—The Resident arrives. 53:30—The former Assistant Resident. 54:57—Java Man. 56:23—Zigzag. 57:22—Belief system. 1:02:27—Multatuli takes up the pen. 1:08:52—Personal grievance & cultural misunderstanding. 1:11:07—Writing, publishing, editing. 1:15:43—Reception. 1:17:18—Dekker & colonialism. 1:18:36—Omissions & distortions. 1:11:57—And yet.

Text: Multatuli, Max Havelaar. Translated by Ina Rilke and David McKay, New York Review Books, 1999).

Interludes: Sundanese Water Music, Unknown Artist, Folkway Records, Internet Archive. 

Illustration: Multatuli (Eduard Douwes Dekker), by César Mitkiewicz, 1864, Wikipedia.

Click here for transcript Contact: jimjneilson@gmail.co

Thanks to Professor David Gilmartin and the students of History 519: Modern European Imperialism, NCSU Spring 2024.

EPISODE 26: Multatuli, "Max Havelaar" (1860), Part Two

Chapters 5-9: 0:00—Principled Havelaar. 7:25—Havelaar & the chiefs. 12:30—How to read. 13:45—Drystubblian digression. 17:37—Moral instruction. 18:55—Interlude.

Chapter 10: 19:21—Parson Waffler’s sermon. 20:15—The Curse of Ham. 26:27—The Dutch slave trade. 29:11—The Curse continues. 31:30—The sermon continues. 32:21—False prophets, 34:12—The sermon continues. 35:12—Anti-secular-humanism. 35:56—The sermon continues. 36:42—Fire & brimstone. 38:11—The sermon continues. 38:57—Black skin. 41:50—The sermon continues. 42:35—Saving the Javanese. 44:18—Voltaire. 46:56—Harriet Beecher Stowe. 48:19—Frederick Douglass 50:09—Race, religion & imperialism. 51:12—Drystubble on poetics. 55:11—Interlude.

Chapters 11-15: 55:39—Beautiful women. 1:00:21—Si Upi Keteh. 1:0437—Havelaar’s troubles. 1:07:46—Dekker’s career. 1:10:42—Max & Tine. 1:12:22—Grounds. 1:13:47—A corrupt system. 1:20:06—The limits of satire. 1:21:38—Closing.

Text: Multatuli, Max Havelaar. Translated by Ina Rilke and David McKay, New York Review Books, 1999).

Interludes: Javanese gamelan music, performed by the Yogyakarta Gamelan Ensemble, National Museum of Asian Art, Washington, D.C., November 1, 2013.

Illustration: Multatuli (Eduard Douwes Dekker), c. 1862, Radio Netherlands Archives.

Click here for transcript Contact: jimjneilson@gmail.com

Thanks to Professor David Gilmartin and the students of History 519: Modern European Imperialism, NCSU Spring 2024.

EPISODE 25: Multatuli, "Max Havelaar" (1860), Part One

Chapter 1: 0:00—Imperialism and the novel. 12:00—Max Havelaar. 15:14—Missing Max. 16:26—No. 37 Lauriergracht. 17:54—Batavia. 21:00—Drystubble. 25:12—Interlude.

Chapter 2: 26:00—Burden & Co. 28:33—Kalverstraat. 33:48—Poetry at the Rosemeyers. 38:16—A comic farrago. 41:52—Making Max. 47:33—Interlude.

Chapters  2-4: 48:33—The Dutch East Indies. 52:47—The VOC. 55:48—The coffee trade. 58:10—Dutch decline. 1:01:58—Interlude.

Chapter 5: 1:02:38—Postmodern aesthetics. 1:11:24—Administration. 1:15:50—The Regent. 1:18:07—The Culture System. 1:20:05—The NHM. 1:26:18—How to manage a colony. 1:30:37—Max’s character. 1:33:21—A peculiar digression. 1:34:15—Who is I? 1:35:38—Multatuli & Dutch literature. 1:37:30—Havelaar & Shawlman. 1:39:48—Closing.

Text: Multatuli, Max Havelaar. Translated by Ina Rilke and David McKay, New York Review Books, 1999.

Interludes: "Wein Neêrlands Bloed," performer unknown, Internet Archive, and Javanese gamelan music, performed by the Yogyakarta Gamelan Ensemble, National Museum of Asian Art, Washington, DC, Nov. 1 2013.

Illustration: Multatuli (Eduard Douwes Dekker), by H.C. Overman/Koene & Büttinghausen, Oct. 1853, Wikipedia.

Click here for transcript Contact: jimjneilson@gmail.com

Thanks to Professor David Gilmartin and the students of History 519: Modern European Imperialism, NCSU Spring 2024.

EPISODE 24: Honoré de Balzac, "Cousin Pons" (1848), Part Two

Chapters 12-17: 0:00—Bourgeois, high and low. 3:38—Stereotypes. 11:30—Cibot seeks her fortune. 14:10—Cartomancy. 20:40—A serpent hatched. 21:34—French Jews. 25:58—Pons’s collection. 27:37—Pons floored. 29:32—Mute despair. 35:09—The terrible comedy. 35:39—Interlude.

Chapter 18-Conclusion: 36:00—The lawyer Fraisier. 38:53—The Gothic. 40:07—Fraisier’s warnings. 43:08—Creditor & caregiver. 46:05—Remonencq & Cibot. 48:30—These two vipers. 51:04—Carrion crows around a corpse. 53:00—Criminal homeopathy. 56:04—Murder by verdigris. 59:16—Complications & wills. 1:02:05—R.I.P. Pons. 1:03:59—Tombstone Street. 1:13:00—Helpful Topinard. 1:14:36—Muddling Schmucke. 1:17:58—Character & corruption. 1:24:27—R.I.P. Balzac.

Text: Honoré de Balzac, Cousin Pons. Translated by Herbert J. Hunt, Penguin, 1968.

Interludes:  Beethoven, Symphony #2 (1802), performed by the Columbia Symphony Orchestra, conducted by Bruno Walter, 1959.

Illustration: Balzac's burial memorial, Père Lachaise Cemetery, Paris

Click here for transcript Contact: jimjneilson@gmail.com